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  <a href="/blog/blog/4524813/new-release-spotlight-derelict-hands-eyes-to-the-future">New Release Spotlight: Derelict Hands&#39; &quot;Eyes to the Future&quot;</a>&nbsp;
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  <div class="message">It is my great pleasure to recommend to you the debut album by classical guitar duo <a contents="Derelict Hands" data-link-label="" data-link-type="url" href="https://www.derelicthands.com/" target="_blank">Derelict Hands</a>, "Eyes to the Future", which was released 12-23-16. Derelict Hands is Calum Borthwick and Russ Callison, both musicians of a very high caliber. As some of you may be aware, Russ and I started our guitar studies at about the same time, both studying under Sabine Madriguera at Collin College. Back in the day we wrote a bunch of music together, made a really fun single with another of our friends, and played in a metal band called "The Mourning Report".  lol. Back to the album.<br><br>The playing is incredibly polished throughout, and the production by William Johnston (as well as his video of the duo's performance of the Schoenberg) is some of the best I have ever heard in a classical guitar recording. The album opens with three duets by Philip Houghton, which are followed by the "earliest" pieces on the record, the "Sechs kleine Klavierstücke" by Arnold Schoenberg, which have been masterfully arranged for two guitars by Calum. The duo worked with Frank Wallace on his Duo Sonata, and their performance of that work is wonderful. The Protase de Loin a Rein by Akira Miyoshi is probably my favorite piece on the album at the moment. The Bogdanovic Sonata Fantasia makes a great closing work, keeping the intensity up all the way to the very last note.<br><br>Perhaps one of the most difficult challenges performers face is the program: it is not simply a matter of playing one piece after the other. It is not enough to order a program, as so many do, with the earliest music at the front and the latest at the back. It is a matter of knowing which piece needs to be heard at what time in the context of the overall listening experience in order to create something greater than the sum of its pieces. It's about meeting the listener where they are and taking them down a very specific path. Crafting a program really is an art in itself, and Eyes to the Future's program hits that admittedly high mark. <br><br><img src="//images.zoogletools.com/u/157266/533e09dafa5a0402e6b2fdb6b279af1e5d667077/original/derelict-hands-eyes-to-the-future.jpg?1482634857" class="size_l justify_center border_" /><br><br>The album artwork was created by Elizabeth Hilliard, and it makes the usual classical album cover art look just as lazy as it is. Ms. Hilliard's artwork augments and elevates the album experience. I really hope to see more classical musicians take their cover art seriously and commission artists like Ms. Hilliard to create something new and beautiful rather than sticking with the sterile formula of a public domain painting + "museum card" artwork. Like the guys of Derelict Hands, I'm a guy that's been spoiled by the undeniably great artwork of the non-classical albums I know and love, like King Crimson's "In the Court of the Crimson King", Protest the Hero's "Fortress", Storm Corrosion's self-titled, etc., etc., etc. The artwork is always an integral part of the experience, so there is absolutely no excuse for the ugly, boring album covers we have seen out of the vast majority of classical musicians. This music is really exciting stuff; the artwork ought to be as well. <br><br>You can get your copy of "Eyes to the Future" at <a contents="Derelict Hands' webstore" data-link-label="" data-link-type="url" href="https://www.derelicthands.com/webstore/" target="_blank">Derelict Hands' webstore</a> in digital ($10) or physical formats ($15). I already got up on this soapbox a little bit, but you should definitely get the physical copy so you can enjoy the artwork along with the performance. So stop by Derelict Hands' site, get yourself a copy, and keep an eye on these guys!</div>
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    <p class="post-info"><span data-time="2016-12-24T21:15:51-06:00" title="December 24, 2016 21:15">12/24/2016</span></p>

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  <a href="/blog/blog/4098318/2016-lsa-lute-fest">2016 LSA Lute Fest</a>&nbsp;
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  <div class="message"><img src="//images.zoogletools.com/u/157266/13ea0735f49a5ce3ffac4a735622a819c1f7d0de/large/cleveland-lute-festival-2016.gif?0" class="size_xl justify_center border_" /><br><br>I am excited to announce that I will be in attendance for the Lute Society of America's biennial Lute Festival! I have already purchased my airfare, I've made arrangements to stay with one of my cousins that lives in the area, and I will officially register for the festival in just a few weeks. This year's lute faculty consist of Robert Barto, Xavier Díaz-Latorre, Jakob Lindberg, Ronn McFarlane, Christopher Morrongiello, Nigel North, Paul O'Dette, and Charlie Weaver. There will also be two voice teachers, Ellen Hargis and Dame Emma Kirkby.<br><br>This will be my first time participating in an early music festival, and I can't wait to be there! Since I began studying the lute, I have only had access to a lute teacher on a handful of occasions. My first lute lesson ever was in November of 2014 with Hopkinson Smith (nothing like starting at the top, amirite?). Since then, I have studied with Michael Craddock when he is in town. But that works out to just one or two lute lessons a year. At this year's edition of the LSA Lute Fest, I will be immersed in the lute and early music culture. I will have opportunities to study with some of the finest early music specialists in the world, as well as the chance to meet other lutenists and early music enthusiasts from all over the US (and maybe even a few from outside the US!). I believe there will be daily concerts as well. Since I have been very active with the lute since my first instrument arrived, it seems crazy to note that there have been only two lute concerts in the DFW area since 2004 of which I am aware. Both of those concerts were given by Hopkinson Smith, and I was in the audience both times. <br><br>Aside from all of the festival activities, I will also get to meet my cousin's husband and son! I haven't seen her since before she got married, so it will be nice to have some time to catch up.<br><br>In order to ensure the safety of my instrument on the trip, I had to buy two seats. This way, the lute has its own seat. Otherwise, it would have been traveling in an overhead compartment (assuming there was enough room at boarding time) or stuck underneath the plane (i.e. the pit of despair). Having seen far too many instruments broken by airlines over the past several years, I decided that it was worth doubling my travel costs in order to know that the lute would be in safe (read: my) hands for the entire journey. <br><br>There are still a few things that need to be done in order to be ready for the festival. I still have to pay the festival tuition ($550) and I'll need to get a better case for my lute (~$500). If you would like to help me get to the festival, I will be accepting <a contents="donations of any denomination" data-link-label="Tip Jar" data-link-type="page" href="/tip-jar" target="_blank">donations of any denomination</a> through PayPal. I am hoping to schedule some lute and guitar recitals at several DFW venues in the lead up to the festival. Keep an eye out for updates on this blog and at my <a contents="facebook page" data-link-label="" data-link-type="url" href="https://www.facebook.com/johnsonguitarstudio/" target="_blank">facebook page</a>!</div>
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    <p class="post-info"><span data-time="2016-03-21T14:20:53-05:00" title="March 21, 2016 14:20">03/21/2016</span></p>

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  <a href="/blog/blog/4086460/texas-guitar-competition-and-festival-ut-dallas-2016">Texas Guitar Competition and Festival, UT Dallas 2016</a>&nbsp;
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  <div class="message">Well, the Texas Guitar Competition and Festival hosted at UT Dallas has come and gone. It has been a busy week, so I haven't had a chance to sit down and write an update. I played well in the semifinal round, and while I am proud of the improvements I have made in my playing since the last UTD festival, I did not advance to the final round. I got to meet several players from all over the world, and the finals performances were very good!<br><br>I was able to participate in three masterclasses over the course of the festival, and luckily my friend Eddie Healy was able to catch some pictures. So, here they are!<br><br> <hr><br><br><img src="//images.zoogletools.com/u/157266/3db56785f256b81b84ac43d47658a71c8536e299/large/jeremy-jouve-masterclass-2016-3.jpg?0" class="size_l justify_center border_" /><br><br><br>Thursday afternoon was the semifinal round. I played around 1:15p, and while it was certainly not a 'peak' performance, I was mostly happy with how I played. Later that evening, Jérémy Jouve (above) gave a masterclass in the Jonsson Performance Hall. I played the first movement of the Musikones suite by John W. Duarte, and Jérémy had some great suggestions for me. Unfortunately I had to miss his concert later on in the festival, but it was a pleasure to meet him and pick his brain a bit.<br><br><br><br><img src="//images.zoogletools.com/u/157266/70743354c2c275ba69fdf0ffdd9731199c03457a/original/craddock-masterclass-2016.jpg?0" class="size_l justify_center border_" /><br><br><br><br>On Friday morning I had the opportunity to play in masterclass for Michael Craddock on my new Mel Wong 8-course. He is an early music specialist, and an accomplished player of lute, theorbo, vihuela, and renaissance guitar as well as the modern classical guitar. He's also a really fun guy with a good sense of humor. We worked on the Frogg Galliard as it is found in the Folger Manuscript. We got quite a bit of work done in the class, but the next day we had a private lute lesson together and spent the whole hour on the more nitty gritty stuff. Every time he comes into town, I try to schedule a lesson. Otherwise, I'm kinda on my own with the lute! <br><br><br><br><br><img src="//images.zoogletools.com/u/157266/a80ef711279935fd0fba4a25698b745a77b0e0a1/large/romero-masterclass-2016.jpg?0" class="size_l justify_center border_" /><br><br><br><br>Later that afternoon I had a masterclass with Celino and Lito Romero. I played a guitar transcription of the Prelude from a lute sonata originally in D minor by S. L. Weiss. They were also a lot of fun to work with, and their advice helped to inspire a new 'vision' for the piece. <br><br><br><br><img src="//images.zoogletools.com/u/157266/1356d4f2b46f45b4a4b7ecd59ce1c1fa2d36506b/original/playing-aarons-cedarcedar-doubletop-at-2016-utd-festival.jpg?0" class="size_l justify_center border_" /><br><br><br><br>On Saturday there was a "Luthier Showcase" in which instruments by a variety of luthiers were played on the stage at the Clark Center. I was asked to play a brand new cedar/cedar doubletop built by good friend of mine, Aaron Ringo of <a contents="Wood Ring Guitars" data-link-label="" data-link-type="url" href="http://www.woodringguitars.com" target="_blank">Wood Ring Guitars</a>. It was a pleasure to play on it. Like all of the other Wood Ring Guitars that I've played, the tone was beautiful and it felt very natural and comfortable in the hands. Its timbral palette was already quite wide, and it was nearly effortless to get the kind of nuance and variety of tone colors that I wanted. Needless to say, I was reluctant to put it down. It's a very fine instrument, and I believe it is currently up for sale on his website. If you're in the market for a concert guitar, you absolutely can't go wrong with this one.<br><br><br> <hr></div>
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    <p class="post-info"><span data-time="2016-03-13T22:45:25-05:00" title="March 13, 2016 22:45">03/13/2016</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/4029012/new-lute">New Lute!</a>&nbsp;
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  <div class="message"><p>Last Tuesday I sold my first lute and on Monday 2-1-16, I received a brand new 8-course renaissance lute built for me by luthier Mel Wong of <a contents="Blackbird String Arts" data-link-label="" data-link-type="url" href="http://www.blackbirdstringarts.com" target="_blank">Blackbird String Arts</a> in San Francisco. I am very excited about this gorgeous new instrument, and I thought I would share with you some pictures and a little information about it. I will be recording a few pieces with it over the next few weeks, so be on the lookout!<br><br>Mel based my new lute on a series of lutes made circa 1599 by a German luthier from Tieffenbruck in the Bavarian Alps named Michielle Hartung. According to Grove Music Online, Hartung purchased his freedom in 1590 and subsequently apprenticed under Leonardo Tieffenbrucker the Younger in Venice. Hartung was one of several influential German luthiers (including Leonardo Tieffenbrucker the Elder and Wendelin Tieffenbrucker) living in Padova, Italy around the turn of the 17th century. In fact, Hartung married Wendelin Tieffenbrucker's daughter. These German luthiers are sometimes referred to as the Füssen School due to their previous connections with that city's rich tradition of instrument building. <br><br>Padova is about 25 miles west of Venice. There has been a renowned University at Padova since 1222, which employed Galileo Galilei (himself a fine lutenist, and the son of famous professional lutenist, composer, and theoretician Vincenzo Galilei) as a mathematics lecturer from 1592 to 1610. Considering that the population of Padova in 1600 AD was just over 15,000 people, I don't think it's at all unreasonable to suggest that Galilei and Hartung may have known each other. I would love to read the Galileo letters to see if there is a mention of such a meeting. Unfortunately, as far as I can tell these letters have never been translated into English and my grasp of Italian is no match for early 17th century manuscripts.</p>
<p>Two of the original instruments on which my lute is based are actually bass lutes tuned in E and are currently housed in the Germanisches National Museum, Nurnberg collection, catalog numbers MI 44 and MI 56. Another is a tenor lute (like this one) tuned in G, and located at the Museo Civico Medievale in Bologna, catalog No. 1808. Hartung, like most luthiers, used labels inside the instrument to identify his works. His labels for these instruments read: </p>
<p>"M. Hartung in Padova me fecit, anno 1599" which translates to "M. Hartung made me in Padova in the year 1599"</p>
<p> My own instrument is a simplified version of the original body design. Looking at the original instruments listed above, it seems to me that the body shape is more like the MI 56 lute, but the rose is certainly the MI 44. The soundboard is Engelmann Spruce, the bowl is made of flamed maple, the neck is made of Honduras mahogany, the pegbox is made of beech, and the tuning pegs are boxwood.<br><br>I've included pictues of the instrument made for me by Mel Wong and pictures of MI 44 (bottom left) and 56 (bottom right) for comparison. I have not yet found images of the one at Bologna.<br><br>"Packington's Pound" was recorded on the new instrument, and is included below if you'd like to hear how it sounds!<br><br><br><img src="//images.zoogletools.com/u/157266/272b5061eaeae97b435489d994f786d120fd39d2/original/full-body-2.jpg?0" class="size_l justify_center border_" /><br> </p>
<p style="text-align: center;"><img src="//images.zoogletools.com/u/157266/d1a5de68b03777244019ff92e1e61624ded24e3c/small/front-2.jpg?0" class="size_s justify_none border_" /><img src="//images.zoogletools.com/u/157266/6c5db00631184e620f898c162c556b8991a024e0/small/rose-2.jpg?0" class="size_s justify_none border_" /><img src="//images.zoogletools.com/u/157266/1e1be2a190ea513fb93da92a3eae11e4e4af87f8/small/pegbox-2.jpg?0" class="size_s justify_none border_" /><img src="//images.zoogletools.com/u/157266/02c36531569ee6d4895150498356019ab6b37aec/small/back-2.jpg?0" class="size_s justify_none border_" /></p>
<p style="text-align: center;"><br><img src="//images.zoogletools.com/u/157266/c94ba6236afa235c8ba32ef2acc2b7d88caadb3b/medium/michiele-hartung-mi-44.jpg?0" class="size_m justify_left border_" /><img src="//images.zoogletools.com/u/157266/12d397a7080e117e8521e1045f1f9799ef0ea63a/medium/michiele-hartung-mi-56.jpg?0" class="size_m justify_right border_" /><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=613693828/size=large/bgcol=333333/linkcol=0f91ff/tracklist=false/track=887495795/transparent=true/" style="border: 0; width: 350px; height: 470px;">&amp;amp;lt;a data-cke-saved-href="http://johnsonguitarstudio.bandcamp.com/album/gradus-ad-victoria" href="http://johnsonguitarstudio.bandcamp.com/album/gradus-ad-victoria"&amp;amp;gt;Gradus ad Victoria by Jacob Johnson&amp;amp;lt;/a&amp;amp;gt;</iframe></p></div>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/3965482/jacob-johnson-with-the-millennial-choirs-and-orchestra">Jacob Johnson with the Millennial Choirs and Orchestra</a>&nbsp;
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  <div class="message">Last night was my first performance as a soloist with the Millennial Choirs and Orchestra! Both the 12-15 and 12-17 concerts sold out quickly. It is a pleasure to work with so many fine musicians. Here's a picture from our first rehearsal. You can't quite make out the choir behind the ensemble, and there's more choir in front as well!<br><br><img src="//images.zoogletools.com/u/157266/a71cacd1c881c7282fb79357e5946aec64651775/original/millennial-choir-and-orchestra-rehearsal.jpg?1450332206" class="size_l justify_center border_" /><br>Unfortunately as I mentioned, the concert this evening is already sold out. However, you can still get tickets for my performances of <em>Los Pastores</em> with the Mesquite Symphony Orchestra on 12-19. There will be two performances: a 5pm show and a 7.30pm show. 
<p><a contents="Ticket information is available here." data-link-label="" data-link-type="url" href="http://mesquitesymphony.weebly.com/concert-schedule--tickets.html" target="_blank">Ticket information is available here</a>.</p></div>
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    <p class="post-info"><span data-time="2015-12-17T00:07:17-06:00" title="December 17, 2015 00:07">12/17/2015</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/3951392/mesquite-symphony-orchestra-and-eastfield-chorus-featuring-jacob-johnson-guitar">Mesquite Symphony Orchestra and Eastfield Chorus featuring Jacob Johnson, guitar</a>&nbsp;
</h2>

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  <div class="message"><img src="//images.zoogletools.com/u/157266/fb841aa031efb3143aa4994b7ed58cb46262d799/original/mesquite-symphony-rehearsal.jpg?1449342226" class="size_l justify_center border_" /><br>Today was my first rehearsal with the Mesquite Symphony Orchestra and Eastfield Chorus! I will be joining them for part of their Christmas program on 12-19. The pieces I am playing are from a Spanish traditional drama called "Los Pastores". It has been a pleasure to prepare for this concert and work with the ensembles! There will be two performances: a 5pm show and a 7.30pm show. <br><br>Ticket information is <a contents="available here" data-link-label="" data-link-type="url" href="http://mesquitesymphony.weebly.com/concert-schedule--tickets.html" target="_blank">available here</a>. <br><br>I hope to see you there! It's sure to be a very good concert. </div>
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    <p class="post-info"><span data-time="2015-12-05T13:10:13-06:00" title="December 05, 2015 13:10">12/05/2015</span></p>

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  <a href="/blog/blog/3919892/9th-annual-collin-college-guitar-competition">9th Annual Collin College Guitar Competition</a>&nbsp;
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  <div class="message">I was entered in Collin College's 9th Annual Guitar Competition on Saturday, 11-7-15 in the Advanced division. There were several really fantastic players in each division, but I was not able to stay and hear everyone's sets. Instead, I had to play my competition slot and then leave immediately for a banquet gig at UT Dallas. <br><br>Since I was unable to be present at the awards ceremony, I texted a friend to find out the results. It was a bit of a shock to hear that I had won first prize! I have an appointment Monday afternoon with the competition director to pick up my judges comments and the prizes. I'll probably post an update when I know what my winnings are!<br><br>The competition winners were as follows:<br> <p>High School Division<br>1st Prize: Ulysses de Leon<br>2nd Prize: Catarina Miranda<br>3rd Prize: Mark Citzman<br>Honorable Mention: Jiaxin Zhang</p>
<p>Intermediate Division:<br>1st Prize: Thomas Vanderzyde<br>2nd Prize: Fadi Khoury<br>3rd Prize: Taylor Benavides</p>
<p>Advanced Division:<br>1st Prize: Jacob Johnson<br>2nd Prize: Randall Groves<br>3rd Prize: Jim Vincent<br><br>Congratulations to you all! I'd also like to say that the entire field of competitors should be very proud of their hard work and beautiful music. I would not have wished to be on the judge's panel!</p></div>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/3763852/m-a-d-e-at-stage-west-theatre">M.A.D.E. at Stage West Theatre </a>&nbsp;
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  <div class="message"><img src="//images.zoogletools.com/u/157266/b7b451a77fc936ffb8e9328fc151ddc48f68a2db/original/music-made-2015.jpg?1435869704" class="size_l justify_center border_" /><br>I will be playing at the M.A.D.E. event at Stage West Theatre in Fort Worth! Come out and enjoy some great music, art, food, and drink. I will be on the Main Stage, so stop by and say hello!</div>
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    <p class="post-info"><span data-time="2015-07-02T15:44:13-05:00" title="July 02, 2015 15:44">07/02/2015</span></p>

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  <a href="/blog/blog/3691434/mountain-view-college-guitar-competition">Mountain View College Guitar Competition</a>&nbsp;
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  <div class="message">This weekend was the very first Mountain View College Guitar Festival and Competition. The festival had a youth guitar orchestra and four competitive categories; Youth under 15, Youth under 18, Early College (freshman and sophomores), and Professional. I competed Friday in the Professional category, and I was one of 4 guitarists advanced to the Saturday final round in that category. I was able to borrow a 2007 Steve Connor guitar for the festival and competition. (Keep your ears open for some recordings of this guitar over the next few days)<br><br>               <img src="//images.zoogletools.com/u/157266/45e8657369673668a47f09ce677d35e47ddcf768/medium/connor-top.jpg?1430761685" class="size_m justify_none border_" /><img src="//images.zoogletools.com/u/157266/358365e473a7f4596e2bd697d315c1c301310011/medium/connor-port.jpg?1430761679" class="size_m justify_none border_" /><br><br><br>After my prelim performance, I was not convinced I would be going on; I had not had an opportunity to hear the other competitors' programs, and I felt that I could have given a better performance. Friday evening I had a very good masterclass with the fantastic guitarist and good friend of mine, Stephen Lochbaum, on a set of variations by J. K. Mertz. We made a lot of progress on it together. At the masterclass, our field of finalists was announced, and I was very pleasantly surprised to be selected. <br><br>Saturday for the finals I played the renaissance lute piece 'A Scots Tune', a Prelude and Sarabande for baroque lute by S. L. Weiss, and the first and last movements of John Duarte's Musikones. The hall was very large but lively, and it was a pleasure to play. The instrument sounded really good in the larger hall. Between the extremely high quality of the instrument it and the atmosphere of the hall, I felt an intense inspiration that helped to make my interpretations more impassioned. <br><br><img src="//images.zoogletools.com/u/157266/0c4b0f5c08044edfd267047e073229071bb36a6c/large/mvc-stage.jpg?1430761718" class="size_l justify_center border_" /><br><br>Following the final round, we were treated to an incredible concert by this year's guest artist Stephen Lochbaum. It was one of the best recitals I've heard.<br><br>At the awards ceremony, I was awarded 2nd prize.<br><br><img src="//images.zoogletools.com/u/157266/ac222dcbfb36071d01613e144622d1dba7bd1324/original/mvc-certificate.jpg?1430761704" class="size_l justify_center border_" /><br><br>Several other friends of mine were also competitors, and I'd like to say a great big congratulations to all of them: <br><br><strong>Professional Division</strong><br><span style="font-family: arial, sans-serif; font-size: 12.8000001907349px;">First Prize: Julian Chalon</span><br style="font-family: arial, sans-serif; font-size: 12.8000001907349px;"><span style="font-family: arial, sans-serif; font-size: 12.8000001907349px;">Third Prize: Sebastian Ruzycki<br>Fourth Prize: Marcos Salazar</span><br><br style="font-family: arial, sans-serif; font-size: 12.8000001907349px;"><b style="font-family: arial, sans-serif; font-size: 12.8000001907349px;">Young College Division</b><br style="font-family: arial, sans-serif; font-size: 12.8000001907349px;"><span style="font-family: arial, sans-serif; font-size: 12.8000001907349px;">Second Prize: Jonno Garver</span><br style="font-family: arial, sans-serif; font-size: 12.8000001907349px;"><span style="font-family: arial, sans-serif; font-size: 12.8000001907349px;">Third Prize: April Montez Seals</span><br><br> </div>
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    <p class="post-info"><span data-time="2015-05-04T12:56:08-05:00" title="May 04, 2015 12:56">05/04/2015</span></p>

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  <a href="/blog/blog/3583900/utd-competition-update-2">UTD Competition Update #2</a>&nbsp;
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  <div class="message">The semifinal round was held on Friday morning, and the finals round was an open concert on Friday evening. Before the finals round, the competitors met for dinner. It was nice to be in the company of such amazing musicians! <br><img src="//images.zoogletools.com/u/157266/5eacb258283a0af60f4c0c9561e585acf882a60d/original/utd-competitor-dinner.jpg?1425820761" class="size_l justify_center border_" /><br>After dinner, we made our way to the Clark Center for the finals and a special preconcert performance by the Radiant Ensemble,  a community guitar ensemble I work with. <br><br><img src="//images.zoogletools.com/u/157266/99a5525481a8648484ee387d9ca6dbecdb4bb68a/original/2015-utd-radiant-concert-2.jpg?1425820755" class="size_l justify_center border_" /><br><br>Throughout the festival, my good friend Aaron Ringo of <a contents="Wood Ring Guitars" data-link-label="" data-link-type="url" href="http://www.woodringguitars.com/" target="_blank">Wood Ring Guitars</a> had his fine handmade instruments on display. I met Aaron when I first started my guitar studies. He's a talented player and an incredible luthier. He's definitely a name to watch in guitar building. I'm hoping to buy one of his doubletop concert guitars in the near future.<br><img src="//images.zoogletools.com/u/157266/92079b21e0bb8dfcdc4a1f14709fb11f44454445/original/2015-utd-festival-aaron-and-me.jpg?1425820754" class="size_l justify_center border_" /><br><br>On Saturday morning, I had the honor of playing a lute masterclass with Michael Craddock. We worked on some John Dowland, and he gave me a lot of suggestions to improve my playing. This was the first time I have ever seen two renaissance lutes in the same room!<br><br><img src="//images.zoogletools.com/u/157266/f7259a243cc8e7d2aa377e5ddf2d9cbbca8e93f7/original/michael-craddock-lute-class.jpg?1425820764" class="size_l justify_center border_" /><br>I'm also very proud as a teacher. I've worked hard to give my students the kinds of opportunities that are unfortunately very rare for pre-collegiate guitarists. One of my students competed in the Youth Division I Competition. I was allowed to go in and listen when he competed. He played very well! This was his second year competing, and he took on a challenging program of John Dowland and J. K. Mertz. He rose to that challenge and did a wonderful job of capturing the contrasting styles. In just a few years, he'll be a seasoned pro! <br><br><br><br> </div>
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    <p class="post-info"><span data-time="2015-03-08T08:57:20-05:00" title="March 08, 2015 08:57">03/08/2015</span></p>

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