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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/6761266/kapsberger-beer-project">Kapsberger Beer Project</a>&nbsp;
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  <div class="message"><p>One of my lutenist friends, <a contents="Ryan Closs" data-link-label="" data-link-type="url" href="https://www.ryancloss.com/">Ryan Closs</a>, recently suggested an interesting project. We're both homebrewers, and the plan is to brew a historical beer recipe and learn some music from the same period. We will be using a recipe that was written down sometime between 1679 and 1689 by the Carmelite monks at Dendermonde, and we'll be learning some music for the lute by Hieronymus Kapsberger. Once the beers are finished, we'll all be trying them. It's been a while since I had a chance to focus on some lute music, so I'm really looking forward to it!<br><br>As for the beer, the recipe isn't terribly different from a modern Tripel. The original recipe translates to:</p>
<p style="text-align: center;"><em>Instruction to brew 16 barrels of good beer <br><br>12 vats of wheat at 24 stuivers per vat, that is                                      14.8 guilders <br>36 vats of barley at 20 stuivers per vat, that is                                      36 guilders <br>6 vats of spelt or ‘vorte avere’ [rotten oats?] at 18 stuivers, that is    5.8 guilders <br>40 pounds of  hops at 3 stuivers a pound, that is                                 7.10 guilders <br>5 ‘waeghen’ of coal at 30 stuivers a ‘wage’, that is                                7.10 guilders <br>50 pieces of wood at 6 guilders per 100, that is                                    3 guilders <br>for wear and tear and brewer’s work                                                      8 guilders <br>                                                                                                                       80.6 guilders</em></p>
<p><br>For the most part, I'm following the advice given on <a contents="Lost Beers" data-link-label="" data-link-type="url" href="https://lostbeers.com/the-original-17th-century-tripel-karmeliet-recipe/" target="_blank">Lost Beers</a>, but I made a few small changes to the recipe.<br><br> </p>
<p style="text-align: center;"><strong>Goedt Bier (by the Carmelites of Dendermonde)<br>5.5 gallons/20.8L<br><br>8.8% ABV : OG: 1.091 : FG: 1.023 : 35.16 IBU : 7.57 SRM<br>(Actual OG: 1.087)</strong></p>
<p style="text-align: center;"><strong>Fermentables:</strong><br><br>12 lb. (5.4 kg) Muntons Maris Otter (63.2%)<br>4 lb. (1.81 kg) Rahr White Wheat (21.1%)<br>2 lb. (0.9 kg) Best Malz Spelt Malt (10.5%)<br>1 lb. (0.45 kg) Briess Cherrywood Smoked Malt<br><br><br><strong>Hops:</strong><br><br>3.5 oz. (98g) Hallertau Mittelfrüh (60 minutes)<br>1 oz. (28g) Hallertau Mittelfrüh (10 minutes)<br><strong>Yeast:</strong><br><br>2x Wyeast WY1214<br>2x Omega OYL-071 Lutra Kveik<br><br><strong>Brewday:</strong><br><br>Reiterated Mash:<br>Mash A: Step Mash 7 lb. Maris Otter, 4 lb. Wheat, 2 lb. Spelt.<br>1. 104°F for 30 min<br>2. 135° F for 15 min<br>3. 152° F for 60 min<br>4. 170° F for 15 min Mash Out<br>5. Room temp Sparge<br><br>Mash B: Single Infusion Mash 5 lb. Maris Otter, 1 lb. Smoked Malt<br>1. 140° F for 30 min<br>2. 150° F for 60 min<br>3. 170° F for 15 min Mash Out<br>4. Hot Sparge<br><br><strong>Water: </strong><br>Balanced Profile:<br><br>10 gal. RO water plus:<br>8g Calcium Sulfate<br>6g Calcium Chloride<br>3g Magnesium Sulfate<br>3g Sodium Chloride</p>
<p>I chose to replace a pound of my base malt with a pound of smoked malt because during the 17th century all malt was dried in wood- or straw-fired kilns. I chose the Cherrywood smoked malt because it sounded appealing and it was available at my homebrew store. Because of the limitations of my brewing equipment (BrewZilla 35L), I will be adding a pound of rice hulls to the grist because the wheat and spelt could be very sticky, and I will be splitting the mash in two in order to work around the maximum capacity of the BrewZilla. This is called a "reiterated mash" and it will add at least an hour to Brew Day, but I think it will be worth it in the end. I've chosen a balanced water profile because I think it will compliment the beer well, and because brewers have been adjusting their water since long before the 17th century. I'll also be using Irish moss during the last 15 minutes of the boil to help achieve a clearer beer. <br><br>Fermentation will occur at approximately 72°F. I plan to leave the beer in the primary fermenter for a minimum of 3 weeks, so it will probably be going into the keg and bottles around Halloween. At 8.8% ABV, it will probably benefit from a little age so I will stick most of the bottles back for a few months. I expect to be able to taste the finished product around Christmas or the New Year. <br><br>As for the music itself, I've been reading through the pieces in <a contents="Libro Primo D'Intavolatvra di Lauto" data-link-label="" data-link-type="url" href="https://ks4.imslp.net/files/imglnks/usimg/d/d4/IMSLP322442-PMLP521883-libro_primo_dintavolatvra_di_lauto.pdf" target="_blank">Libro Primo D'Intavolatvra di Lauto</a> by Hieronymus Kapsberger, and I'll be focusing on a few of my favorites like the Corrente 12a on the last page of the book. I'm not used to reading Italian tablature, which is "upside down" compared to modern guitar tablature or French tablature, but after a few days of practice it's not so bad. My favorite thing about this book is the doodles between pieces! </p>
<p><img src="//images.zoogletools.com/u/157266/d9f4b792d83683618d12fc1b6e7318face5af90f/original/kapsberger-snail.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" /></p>
<p style="text-align: center;">Snail!</p>
<p><img src="//images.zoogletools.com/u/157266/f95121d2b3e9012169c52cc5bdf3598decc5f2a2/original/kapsberger-rabbit-and-dog.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" /></p>
<p style="text-align: center;">Rabbit and Dog!</p>
<p><img src="//images.zoogletools.com/u/157266/48a1ac21c3de457892838b3b2b36fd503b9b61b9/original/kapsberger-fish.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" /></p>
<p style="text-align: center;">Fish!</p>
<p><br>I'll be posting some practice videos over the course of the project on <a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/jacobjohnsonstringstudio/">Instagram</a> and <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/johnsonguitarstudio" target="_blank">Facebook</a>, so keep an eye out for updates!</p>
<p style="text-align: center;"> </p></div>
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    <p class="post-info"><span data-time="2021-09-29T16:22:31-05:00" title="September 29, 2021 16:22">09/29/2021</span></p>

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  <a href="/blog/blog/6427309/the-astrolabe">The Astrolabe</a>&nbsp;
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  <div class="message"><p style="text-align: center;"><img src="//images.zoogletools.com/u/157266/77ca81c1439c5d0e0e5118352f44c862306d56e7/original/astrolabe.jpg/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_center border_none" alt="My astrolabe and its pouch" /></p>
<p>As a child, I asked Santa Claus for a telescope a few years before I asked for my first bicycle. Growing up I owned several little telescopes which were great for looking at the Moon, but not very ideal for much else. Last September, I bought my first big boy telescope: a 10 inch f/4.5 Dobsonian. Don't let the designation of 10 inches fool you-- that's the diameter of the mirror; the telescope stands about 4 feet tall. Since getting that scope, I found my love for astronomy renewed. Seeing galaxies, star clusters, and nebulae with your own eyes for the first time will do that! So, I joined the <a contents="Texas Astronomical Society" data-link-label="" data-link-type="url" href="https://www.texasastro.org/" target="_blank">Texas Astronomical Society</a> and started taking my observations more seriously, keeping detailed notes and making sketches of each new object I pointed my scope at.<br><br>But what I had always <em>really</em> wanted was an astrolabe. I remember reading about them when I was in elementary school, and being amazed that there was a computer that could tell time and predict the times of sunrise and sunset for any day of the year without a need for any kind of power. It almost seemed like a magical device, especially since the very first computer I ever owned was a hand-me-down IBM personal computer with an Intel 8088 CPU. It was anything but portable, and all I really knew about it was how to give the DOS command to play "Where in the World is Carmen Sandiego?" The concept of a computer that one could easily carry around with them was still the stuff of science fiction in my little 5-year-old mind. <br><br>Several years later, I was attending <a contents="Scarborough Renaissance Festival" data-link-label="" data-link-type="url" href="https://www.srfestival.com/" target="_blank">Scarborough Renaissance Festival</a> in Waxahachie, TX when I discovered that a vendor carried brass astrolabes! I'd never actually seen one in person, so I asked the salesman to give me a demonstration. He proceeded to tell the time using the sun, and gave me a prediction for the time of sunset that day. I was blown away by just how impressive and beautiful the little device in front of me was, but at the time I couldn't justify the asking price. Still, it planted the seed and I kept thinking, "One of these days I'm going to buy one of those brass astrolabes," for the next several years.<br><br>One day earlier this spring I was aimlessly surfing the web during a practice break and found a website selling similar brass astrolabes, but the price was even higher than I remembered, so I started researching a little more seriously to try to find a cheaper (yet still functional) instrument. In the process, I discovered the <a contents="Astrolabe Project" data-link-label="" data-link-type="url" href="http://www.astrolabeproject.com/" target="_blank">Astrolabe Project</a> website, which includes tutorials on the use of the astrolabe as well as a free astrolabe generator program which allows one to easily design a customized instrument. I also found an <a contents="Instructable" data-link-label="" data-link-type="url" href="https://www.instructables.com/id/How-to-Build-a-Customized-Astrolabe-Using-a-Laser-/" target="_blank">Instructable</a> on how to build it. At this point, I decided I had to go for it. I got a subscription to Adobe Illustrator and started working on the design I had created in the generator. Eventually, I sent the files to a laser cutting service to finish the project. Under normal circumstances I would have taken the files to my local makerspace and done the cutting/engraving myself, but with COVID-19 shelter-in-place orders those options were not available.<br><br>After about a month of designing and editing the plans, I finally received my astrolabe. It has all of the usual scales, plus a few specialty scales I thought it would be nice to have. Most of these scales are historically accurate, but since we now have an accurate equation of time, I included a scale for that. The result is an instrument that can tell the time to within a minute or so of clock time. On the day it arrived, I fell in love with using it and set about learning everything I could about its capabilities. </p>
<p><img src="//images.zoogletools.com/u/157266/6909cff2a0f1221396d8b3ddba2c08f4969b5ec4/original/astrolabe-reverse.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_none" alt="Reverse of Astrolabe" /><br><br>As it turns out, membership in the Texas Astronomical Society comes with a membership in the Astronomical League. The AL has over 50 observing programs and certificates to help give structure to one's observations, and it occurred to me that there might be a program that included the use of an astrolabe. I was right, and so I began working on the <a contents="Astronomy Before the Telescope Observing Certificate" data-link-label="" data-link-type="url" href="https://www.astroleague.org/content/astronomy-telescope-observing-certificate" target="_blank">Astronomy Before the Telescope Observing Certificate</a>. The certification requires some fairly intense effort as the observer is limited to using instruments that were available in the 16th century-- but that is right up my alley, and smack dab in the middle of my favorite period of lute music! </p>
<p> </p>
<p><img src="//images.zoogletools.com/u/157266/6373858c12121dbaecf3891b8f6952fc6f5adb27/original/the-astronomy-lesson.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_none" alt="The Astronomy Lesson" /><br> </p>
<p>So that's how I got involved with all of the astronomical activities I have lately undertaken. I'm not limiting myself to just the Astronomy Before the Telescope program, but it is, without question, the most challenging of the programs I've decided to pursue. As I work my way through the requirements of the certification I will continue to share updates on my progress.</p>
<p> </p>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/6421457/nova-mvsica-mvndana">NOVA MVSICA MVNDANA</a>&nbsp;
</h2>

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  <div class="message"><p><em><span class="font_large">"I do not know what I may appear to the world, but to myself I seem to have been only like a boy playing on the sea-shore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me." </span></em><br><span class="font_small"><strong>--Sir Isaac Newton PRS, FRS </strong></span></p>
<p>It occurred to me recently that I have not shared a blog post in two years. Therefore I have decided that I will invest more effort in my blog, and I plan to post on a (mostly) weekly basis. I'll still write about music, but I would like to introduce a few new topics and will be categorizing my posts accordingly. Namely, I have lately been practicing state-of-the-art astronomy-- circa the mid 16th century. I have constructed several astronomical instruments, some of which may appear in cameo as I make a return to regular blogging. This might seem a little out of place in a musician's blog, yet without invoking Boëthius we would do well to remember that Galileo Galilei came from a family of lutenists (and would no doubt have been a fine player himself), or that Johannes Kepler published musical models of the solar system based on the data which he and his teacher Tycho Brahe had collected. </p>
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  <p class="post-info">in <a href="/latest-news/blog/blog_categories/42505">General</a>, <a href="/latest-news/blog/blog_categories/42506">Astronomy</a></p>
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</article>  <article class="post blog-article full-item post-full" data-controller="zoogle-video" data-action="message@window-&gt;zoogle-video#handleVimeoPostMessage">
    
<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/5406561/radio-gaga">Radio Gaga</a>&nbsp;
</h2>

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  <div class="message"><p>This Monday I had the pleasure of sitting down with Jenny Inzerillo at High Plains Public Radio for an interview and in-studio performance during her show, <a contents="High Plains Morning" data-link-label="" data-link-type="url" href="http://www.hppr.org/programs/high-plains-morning" target="_blank">High Plains Morning</a>. We talked a little about the lute and its history, and I played a few pieces on the air. <br><br>It was my first radio interview so I was a little nervous, but I had a great time and I'm looking forward to stopping by HPPR again sometime in the future! <br><br>If you couldn't tune in on Monday, make sure to check out the <a contents="interview here." data-link-label="" data-link-type="url" href="http://www.hppr.org/post/boy-luteacris-jacob-johnson-hppr" target="_blank">interview here.</a> When you get done, check out some of the other great musicians she's had on her show! <br><br><img src="//images.zoogletools.com/u/157266/b08f05d279eca04c226371ecc16587d2c71c0c02/original/hppr-interview.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p></div>
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    <p class="post-info"><span data-time="2018-08-29T15:34:49-05:00" title="August 29, 2018 15:34">08/29/2018</span></p>

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</article>  <article class="post blog-article full-item post-full" data-controller="zoogle-video" data-action="message@window-&gt;zoogle-video#handleVimeoPostMessage">
    
<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/4833549/ruminations-upon-returning-home">Ruminations upon Returning Home</a>&nbsp;
</h2>

<div class="post">
  <div class="message"><p>As you may have read in my last post, I left in late July for Colorado-- the first stop on my summer concert tour. From 23rd through 29th of July, I was in Buena Vista and Salida, Colorado for the inaugural residency of the <a contents="Collegiate Peaks Guitar Retreat" data-link-label="" data-link-type="url" href="https://www.coguitarretreat.com/" target="_blank">Collegiate Peaks Guitar Retreat</a>. I stayed in a mountain cabin at an elevation of approximately 9,500 feet, and I had lessons or audited with the "Guitar Guides": <a contents="Will Douglas" data-link-label="" data-link-type="url" href="https://www.will-douglas.com/" target="_blank">Will Douglas</a>, <a contents="Emma Rush" data-link-label="" data-link-type="url" href="http://www.emma-rush.com/" target="_blank">Emma Rush</a>, and <a contents="Kevin Manderville" data-link-label="" data-link-type="url" href="https://www.facebook.com/kevinmandervilleguitar/" target="_blank">Kevin Manderville</a>. It was an honor and a privilege to spend a week with such great musicians! </p>
<p><img src="//images.zoogletools.com/u/157266/b8e7dc3ee98238a92296deafe6be7df042332278/original/lute-and-mountains.jpg?1504218549" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>Buena Vista, CO</em></p>
<p>In Buena Vista, the focus was not always on the guitar: we visited the Jumpin' Good Goat Dairy farm and I got to milk my first goat. We also climbed a mountain trail up to the "Lost Lake" at 11,800 feet. I've never considered myself much of an artist, but between the beauty of the place itself and mild oxygen deprivation, I decided to do a very quick sketch of the lake. I had only brought a blue and a black ink with me, so I set to work with my fingers and wasted a few ounces from my water bottle.</p>
<p><img src="//images.zoogletools.com/u/157266/086f8d948c1a14bd720a06355a6a17a70165c043/original/lost-lake.jpg?1504218652" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>'Lost Lake' in Buena Vista, CO (above) and my sketch (below)</em></p>
<p><img src="//images.zoogletools.com/u/157266/6fd40a51ebb0c0f8245b6725295b9bf0e5595ea6/original/lost-lake-sketch.jpg?1504218673" class="size_l justify_center border_" /><br><br>Over the week the Collegiate Peaks crew performed several times around Buena Vista, including shows at local restaurants, Deerhammer Distillery, and The People's Stage. As the only lutenist, I got to provide audiences with an introduction to renaissance music (and early music in general).</p>
<p>My week in Buena Vista passed all too quickly, and I soon found myself bidding our mountain cabin ,,auf wiedersehen" as I headed north and east to Denver.</p>
<p><img src="//images.zoogletools.com/u/157266/9cf4796ca1a2e855115ed05c69154939dd3ed1ac/original/colorado-sunrise.jpg?1504219307" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>Colorado Sunrise (above) and I don't recall what reservoir this is (below).</em></p>
<p><img src="//images.zoogletools.com/u/157266/a83f2641f589c622fe8c231db7efecb56b97ba14/original/colorado-pano.jpg?1504218858" class="size_l justify_center border_" /></p>
<p><br>When I got to Denver, I met my good friend <a contents="Russ Callison" data-link-label="" data-link-type="url" href="https://www.russcallisonguitar.com/" target="_blank">Russ Callison</a> at <a contents="TRVE Brewing Co." data-link-label="" data-link-type="url" href="http://trvebrewing.com/" target="_blank">TRVE Brewing Co.</a>-- the most metal brewpub I've ever visited.<br> </p>
<p><img src="//images.zoogletools.com/u/157266/ada1cbc8910390ddd6678dc6eff58dfcb61f4aba/original/trve.jpg?1504218825" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>kvlt af</em></p>
<p>You might remember Russ from <a contents='my review of the CD "Eyes to the Future" by his&amp;nbsp;duo, Derelict Hands' data-link-label="" data-link-type="url" href="https://www.johnsonguitarstudio.com/blog/blog/new-release-spotlight-derelict-hands-eyes-to-the-future" target="_blank">my review of the CD "Eyes to the Future" by his duo, Derelict Hands</a>. It was good to see him, and we got to play a concert together for the first time in many years. A thousand thanks would still be insufficient to Russ and Taylor-- the trip would not have gone nearly as smoothly without their efforts. Special thanks are due Duain Wolfe for opening his beautiful home to us for the concert.<br> </p>
<p><img src="//images.zoogletools.com/u/157266/5b8a39b925226854864f02bef473b3043dc3756f/original/denver-concert.jpg?1504219137" class="size_l justify_center border_" /><br><br>While I was in Denver, I had the opportunity to visit a gamelan orchestra's rehearsal... and to play the bell-tree for them! It was my first time to ever see and hear a gamelan in person, and it was amazing!<br> </p>
<p><img src="//images.zoogletools.com/u/157266/3467250166c638104f2f0a827bd08c63c667d361/original/denver-gamelan.jpg?1504219171" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>Gamelan Rehearsal (above), Bell Tree (below)</em></p>
<p><img src="//images.zoogletools.com/u/157266/b204c54d5ff60be20a66cff33aec300495a0d711/original/bell-tree.jpg?1504219200" class="size_l justify_center border_" /></p>
<p>After spending a few days in Denver, the time came to drive out to Salt Lake City, Utah. I stopped in Estes Park on my way out, and obviously, I had to see The Stanley Hotel!</p>
<p><img src="//images.zoogletools.com/u/157266/cd6cb9bb33ad70bfc72bffd4fed503aa79a7cad0/original/stanley-hotel-estes.jpg?1504219466" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>All work and no play at The Stanley Hotel, Estes Park, CO </em></p>
<p style="text-align: center;"><img src="//images.zoogletools.com/u/157266/4767e05375a3808f94835908c05facf97971decd/original/welcome-to-wyoming.jpg?1504219592" class="size_l justify_center border_" /><em>the aptly named "U.S. State Not-Appearing-In-This-Blog-Post"</em></p>
<p>I was to perform a concert for the <a contents="Utah Classical Guitar Society" data-link-label="" data-link-type="url" href="http://www.ucgs.org/" target="_blank">Utah Classical Guitar Society</a> in Murray, UT with my SLC-local friend Susan Price. The drive took a bit longer than I expected, and I arrived in SLC with just enough time to drop off my things at the hotel and get a quick shower before the concert. </p>
<p><img src="//images.zoogletools.com/u/157266/227ca67abbd9e19146fb8cdedd14fc117ce4a2e5/original/slc-concert-sign.jpg?1504219725" class="size_l justify_center border_" /><br><img src="//images.zoogletools.com/u/157266/78cf17439b508fad0562b098adb433b8c55df241/original/slc-tableau.jpg?1504219747" class="size_l justify_center border_" /><br>The next morning, I got up early and drove to Sacramento, California. Along the way, I stopped to stretch at the Bonneville Salt Flats. <br> </p>
<p><img src="//images.zoogletools.com/u/157266/db84cab6164804ba54bbd046d7f8583796303f6f/original/bonneville-pano.jpg?1504219883" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><br><em>Bonneville Salt Flats (above), Emigrant Gap (below)</em><br> </p>
<p><img src="//images.zoogletools.com/u/157266/04f359b20732535c803e57bcf49dfe1ff71f8d97/original/emigrant-gap.jpg?1504220184" class="size_l justify_center border_" /></p>
<p>When I got to Sacramento, I had the better part of 2 days to relax and enjoy seeing my family before my next performance, for the <a contents="Sacramento Guitar Society" data-link-label="" data-link-type="url" href="http://www.sacramentoguitarsociety.org/" target="_blank">Sacramento Guitar Society</a> in El Dorado Hills. I got to meet my nephew Max for the very first time, and spent time with my neice Sammy, my brother Mark and my sister-in-law Michelle. I don't often get to play the doting uncle that spoils the kiddos, so I really enjoyed doing my best to make up for lost time. </p>
<p><img src="//images.zoogletools.com/u/157266/33a2d055c99a9f769d79143bc641fa92d233152e/original/max-and-sammy.jpg?1504220124" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>Sammy and Max</em><br> </p>
<p>Special thanks go out to the Sacramento Guitar Society, Daniel Roest, and Lili Williams for their help facilitating the concert, and to Don and Mehri for hosting my concert in their beautiful home. <br> </p>
<p><img src="//images.zoogletools.com/u/157266/b27fedb4784e2740b9ed87643b02f7ef998e9585/original/el-dorado-hills-house.jpg?1504220155" class="size_l justify_center border_" /></p>
<p>Due to a scheduling issue, I had to cancel my concert in Eugene, Oregon, and was unable to meet up with my friend there. Instead, I drove directly from Sacramento to Port Angeles, Washington, where I arrived just in time to catch the day's last ferry to Victoria, B.C.<br><br><br><img src="//images.zoogletools.com/u/157266/1469ee457e260b41aa85f9f97d5eff3ebac020bc/original/california-sunrise.jpg?1504220264" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>California Sunrise, Sweet Calcutta Rain, Honolulu Star-rise--- The Song Remains the Same</em><br> </p>
<p>As tight as the scheduling was, I did take a few minutes to stop to play a few notes and take a selfie at the Oregon Shakespeare Festival's theatre, which is based on Shakespeare's Globe.</p>
<p><img src="//images.zoogletools.com/u/157266/d77fdc93e2ccfddd4cf7c87601e6485c17056ad8/original/oregon-globe.jpg?1504220421" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>Above: Rascal fiddler, twangling Jack</em><br> </p>
<p>The week in Victoria for the LSA's WestFest was amazing: I had lessons with Robert Barto and Sylvain Bergeron, and I got to meet some incredible people! </p>
<p><img src="//images.zoogletools.com/u/157266/beb791e8aea13241d8b7e42b4025761494fcbce8/large/with-robert-barto.jpg?1504220685" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>With Robert Barto (above), Sylvain Bergeron and Elizabeth Kenny perform an encore (below)</em></p>
<p><img src="//images.zoogletools.com/u/157266/8855123af70eaf8afa0b11f4ca5d406a6cde5167/original/bergeron-kenny-encore.jpg?1504220725" class="size_l justify_center border_" /></p>
<p>I did take a little time to explore Victoria and Vancouver Island, though I look forward to seeing even more of B.C. in 2019! One morning I got up very early and hiked out to the "other" Niagara Falls in Goldstream Provincial Park. Sure, they're narrower than their namesake, but at 47.5m/156ft they are almost as tall!</p>
<p><img src="//images.zoogletools.com/u/157266/7df49597b3872b0896caa53ffee6291abcdad9d2/medium/niagara-1.jpg?1504220794" class="size_m justify_center border_" /></p>
<p style="text-align: center;"><em>Niagara Falls, Goldstream Provincial Park, British Columbia</em><br> </p>
<p>At the end of the week, I bid farewell to my new lute friends and boarded the ferry back to the U.S.<br> </p>
<p><img src="//images.zoogletools.com/u/157266/b3926c8fe61e2af8b03d43ba958847f3e68f2803/original/goodbye-canada.gif?1504220881" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>See you later, Canada!</em></p>
<p><br>I spent a few more days with my family in Sacramento, and spent a day in San Francisco where I finally got to meet the luthier who built my lute, Mel Wong. Mel gave us a tour of his workshop and taught us how to bend lute ribs. After playing on his instrument for the last year and a half, it was nice to finally shake Mel's hand. <br> </p>
<p><img src="//images.zoogletools.com/u/157266/50f5bf40da61d186364e325396d12139feba23e7/original/michelle-bending-a-rib.jpg?1504221113" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>My Sister-In-Law, Michelle, learning to bend lute ribs under the tutelage of luthier Mel Wong</em><br> </p>
<p>Of course, I also had to get pictures of Alcatraz, sea lions, the Palace of Fine Arts, and Golden Gate Park.</p>
<p><img src="//images.zoogletools.com/u/157266/910377b3f4a7cae001024d26bf10b90af8469dc3/original/mark-and-me-and-alcatraz.jpg?1504221170" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>My brother and I, and Alcatraz.</em><br> </p>
<p style="text-align: center;"><img src="//images.zoogletools.com/u/157266/202593ebaa90ce9b7fd2ec69d0df8469171b211d/original/sea-lions.jpg?1504221219" class="size_l justify_center border_" /><em>The Pier 39 Sea Lions!</em><br> </p>
<p style="text-align: center;"><img src="//images.zoogletools.com/u/157266/fd6fdc273b43fd53d91f28a374c935007966e96b/large/at-palace-of-fine-arts.jpg?1504221297" class="size_l justify_center border_" /><br><em>The Palace of Fine Arts (above and below)</em><br> </p>
<p style="text-align: center;"><img src="//images.zoogletools.com/u/157266/826084edb783697a1f6533b43557ca037b6ffd90/original/palace-of-fine-arts.jpg?1504221256" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><img src="//images.zoogletools.com/u/157266/eb92f5c70f59710818e11b29e2ba58fc0ee7cee8/original/lemmy-at-golden-gate-park.jpg?1504221382" class="size_l justify_center border_" /><em>chillin' with Lemmy on the beach at Golden Gate Park</em></p>
<p>Unfortunately, I couldn't stay forever-- I had to get home to resume my teaching and gigging duties in the Dallas area, and my Texas family wanted to make a trip to view the solar eclipse, so I left Sacramento and headed south toward Los Angeles. I stopped at Sequoia National Park and hiked out to see the General Sherman tree to stretch my legs. </p>
<p><img src="//images.zoogletools.com/u/157266/9a75611cc67d74840fcb8e658e9159cd00999cf8/original/lute-in-sequoia.jpg?1504221590" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>Sequoia National Park (above), Gen. Sherman Tree (below)</em></p>
<p style="text-align: center;"><img src="//images.zoogletools.com/u/157266/443b95b4bae4ceae8aa794c23aa9637d026f0190/original/general-sherman.jpg?1504221580" class="size_l justify_center border_" /></p>
<p>From there I continued to L.A., but I arrived too late in the day to do much other than get a cool picture of L.A. at night.<br> </p>
<p><img src="//images.zoogletools.com/u/157266/9939dc867ea410b48304ce99095833097185e558/original/los-angeles-at-night.jpg?1504221722" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>Los Angeles at Night</em><br> </p>
<p>Still, I hiked up to Griffith Observatory hoping to get the ultimate tourist photo: the Hollywood sign. <br><br> </p>
<p><img src="//images.zoogletools.com/u/157266/18b1d37bc37b92725c856eb1c3a76007dc064366/original/hollywood-sign.jpg?1504221728" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>The Hollywood Sign</em><br> </p>
<p>No one told me that they don't illuminate it at night, though. Oh well, maybe next time!</p>
<p> </p>
<p>I then turned east and drove through Arizona and New Mexico. My last stop before arriving at home was at the Meteor Crater in Winslow, AZ. <br> </p>
<p><img src="//images.zoogletools.com/u/157266/10bdbc64a1ccfcd26d7fddf94683e8b593c6fdbf/original/meteor-crater-speed-limit.jpg?1504222164" class="size_l justify_center border_" /></p>
<p><img src="//images.zoogletools.com/u/157266/0348acb714ce76fbb4c01f8c7f3fcaa181872eef/original/meteor-crater.jpg?1504222195" class="size_l justify_center border_" /></p>
<p><img src="//images.zoogletools.com/u/157266/03b8f0a033a78a0d388e66941ea966c5fd03702c/original/lute-at-meteor-crater.jpg?1504222203" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>Have Gut, Will Travel</em><br> </p>
<p>I got home and had a night to relax before we all piled into the car to drive the 12 hours to Illinois to watch the solar eclipse. We visited my Great Aunt at her farm, which fell right on the path of totality. It was amazing! I tried to get a few pictures, but a cell phone camera just doesn't cut it. <br><br> </p>
<p><img src="//images.zoogletools.com/u/157266/5de61e94afc7b68619930a81002225b5c8187283/medium/eclipse-1.jpg?1504223063" class="size_m justify_none border_" /> <img src="//images.zoogletools.com/u/157266/2bfe608786b7b6c4e1e810a680e8c05cf5b89cd8/medium/eclipse-2.jpg?1504222904" class="size_m justify_none border_" /></p>
<p><br><br>As totality approached, the sky became as dark as it is at twilight, the rooster got confused and crowed for a half-hour, and the birds went to sleep.<br><br> </p>
<p><img src="//images.zoogletools.com/u/157266/e2e33589d1f55654f5a7fd9dfa834811d698c6d6/original/totality.jpg?1504223312" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>The Solar Eclipse at Totality</em></p>
<p style="text-align: center;"> </p>
<p><img src="//images.zoogletools.com/u/157266/ad1a74a2dc09adaa619e4c44a272fe6dc8582fd4/original/twilight-of-totality.jpg?1504222758" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em>The Twilight of Totality</em><br> </p>
<p>It feels good to at last be settled in at home after a solid month on the road, but I definitely miss all of the breathtaking views, all of the giggling silliness of my niece and nephew, and all of the music-making and learning. I'd like to thank the <a contents="Lute Society of America" data-link-label="" data-link-type="url" href="https://lutesocietyofamerica.wildapricot.org/" target="_blank">Lute Society of America</a> and Collegiate Peaks Guitar Retreat for helping me out with scholarships, everyone who donated to the trip, everyone who hosted me and my concerts in their homes, and my family for being so supportive along the way. I can't wait to do this again!</p></div>
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  <a href="/blog/blog/4778817/summer-festivals-update-and-salt-lake-city-concert">Summer Festivals Update and Salt Lake City Concert!</a>&nbsp;
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  <div class="message"><p>As you probably know, I was awarded a scholarship to attend the Lute Society of America's Summer Seminar in Victoria, British Columbia in early August. I have been fundraising for several weeks now to raise the funds necessary for the trip, and I have raised nearly half of the goal amount. I was also recently offered a scholarship to attend the Collegiate Peaks Guitar Retreat in Buena Vista, Colorado from 24-28th July. Denver was the first stop on my trip anyway, so it works out really well-- but it does mean I have to leave a week earlier, and increases costs overall. <br><br>All along I was intending to give concerts at each city I stopped in for the night-- Denver, Salt Lake City, Sacramento, and Eugene-- but I didn't have a contact in Salt Lake City to help me out. So, I reached out to <a contents="Utah Classical Guitar" data-link-label="" data-link-type="url" href="http://www.ucgs.org/" target="_blank">Utah Classical Guitar</a> to see about setting up a concert while I'm in town. I'm pleased to announce that I will be playing a solo recital at 8pm on Wednesday, August 2nd, at Cottonwood Coves Clubhouse in Murray, Utah. If you know anyone in the Salt Lake City area that might be interested, please pass this information along! Guests are asked to <a contents="RSVP through the event page on UCG's facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/1892484164350077" target="_blank">RSVP through the event page on UCG's facebook</a>.</p>
<p>I hope to see you there!<img src="//images.zoogletools.com/u/157266/1b2520495ad69638c3631b3f39cc1002edd5e134/original/ucg-lute-recital-flyer.png?1500005742" class="size_l justify_center border_" /></p></div>
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  <a href="/blog/blog/4764139/new-release-spotlight-emma-rush-s-canadiana">New Release Spotlight: Emma Rush&#39;s &quot;Canadiana&quot; </a>&nbsp;
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  <div class="message"><p>In this second installment of the New Release Spotlight, I am pleased to recommend the new disc from Canadian classical guitarist <a contents="Emma Rush, Canadiana" data-link-label="" data-link-type="url" href="http://emma-rush.com/store/" target="_blank">Emma Rush, <em>Canadiana</em></a>. From Emma's website, "<em>Canadiana</em> features the music of iconic Canadian songwriters Joni Mitchell, Gordon Lightfoot, and Stan Rogers arranged for solo guitar by Floyd Turner, and Appalachian Colours, dedicated to Emma Rush, by Toronto-based composer William Beauvais."<br><br>I met Emma at the 2015 Lone Star Guitar Festival and Competition in Weatherford, Texas. I really enjoyed her program, which featured quite a bit of music inspired by folk stories from around the world. I remember being really taken away with Garuda and the Suite del Recuerdo during her performance. I picked up a copy of her album <em>Folklorica</em>, and it's been on heavy rotation in my daily listening ever since. We've kept in touch, and I'm honored to call her one of my friends. She is not only a refined and expressive player, but she's also a great teacher and an inspiration to my own teaching and playing. <br><br>I was talking with Emma a few months ago about our mutual love of the work of the Canadian singer-songwriter Gordon Lightfoot, and she mentioned that her next project would include a few Lightfoot tunes arranged for solo guitar by Floyd Turner. I was so excited to find a copy in my mailbox yesterday, I rushed into the house and immediately put it on the stereo. I'll admit I broke my own listening rule (first listenings are SUPPOSED to be 'cover to cover'), but in my defense "Pussywillows, Cat-tails" and "Canadian Railroad Trilogy" are two of my favorite songs by Gord. The arrangements are nothing short of wonderful. In fact, I enjoy Emma's playing of Canadian Railroad Trilogy more than the original-- I wish that that quality of rubato and sensitivity to the text was present in Gord's version. <br><br>There is a big difference between a straight transcription and an arrangement-- an arrangement implies a level of invention that approaches the song as a composer might. While a strict transcription might be more faithful to the source material harmonically speaking, a great arrangement utilizes the strengths of the instrument to create a new experience, and we see the piece from a new perspective. Mr. Turner's arrangements on the disc do this very well. I'm not as familiar with Joni Mitchell as I am with Gordon Lightfoot, but I really enjoyed "Blue" and "Marcie". Stan Rogers is a brand new name for me, so I had never heard "Northwest Passage" before this disc.</p>
<p>Another new name for me was William Beauvais, whose "Appalachian Colours" suite is dedicated to Emma. The piece is cinematic, and its titles alternately evoke for me the changing leaves of autumn, an early summer drive I once took through Acadia National Park in Maine, and my first sight of Lake Michigan after climbing the dunes at Saugatuck. Green is probably my favorite movement from the suite, though it's a tough call. **Edit: Wait, no, it's Red.<br><br>The whole album has a great feel for those long, introspective summer night drives, and I'm really looking forward to taking it on the road with me to Victoria next month! <br> </p>
<p><img src="//images.zoogletools.com/u/157266/2aba6047c5f04cac8fa49361737c5e6e9eb1d386/original/emma-rush-canadiana.jpg?1498965512" class="size_l justify_center border_" /></p>
<p>I'd also like to take a moment to comment on the artwork-- if you've been following this blog, you'll know that one of my biggest pet peeves in the classical music world is the ubiquity of lazy artwork and boring album titles like "Guitar Recital" (not to worry, Naxos; we still love you). In the last "New Release Spotlight" I said I hoped to see more classical artists bringing the same mindfulness and attention to detail to their album art that they bring to the music, and I listed off a bunch of non-classical albums that have what I would consider to be great cover artwork. Had I not been limiting myself to non-classical musicians, I would have cited Emma's <em>Folklorica</em> as the exception to prove the rule and a great example of how artwork can elevate the listener's experience of an album. I don't have my copy of <em>Folklorica</em> within reaching distance to double check, but I believe <a contents="Richard Talbot" data-link-label="" data-link-type="url" href="https://thisisrichart.com/" target="_blank">Richard Talbot</a> is responsible for the artwork on both albums. I really enjoy the unity of his design-- on the inside of the sleeve we are given some liner notes over a background composed of an almost abstract closeup of the bark of a Paper Birch (the same species of tree featured on the front cover), and the disc itself bears a cross section of a log showing the growth rings. </p>
<p>You can get your copy at <a contents="Emma's website" data-link-label="" data-link-type="url" href="http://emma-rush.com/store/" target="_blank">Emma's website</a> for $20. Stop by, snap up a copy for yourself, and listen to the pictures flow-- across the room, into your mind they go.</p></div>
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  <a href="/blog/blog/4713246/2017-lsa-lute-festival-west">2017 LSA Lute Festival West</a>&nbsp;
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  <div class="message"><p><br><img src="//images.zoogletools.com/u/157266/3ec72e95b76bbd255f30dddaf0e7fffcf0b597a6/original/lsa-header.jpg?1495085058" class="size_l justify_center border_" /><br><br>I'm excited to have been selected for a scholarship to attend the LSA Workshop West this year at the University of Victoria, on Vancouver Island from August 6-12, 2017! This year's lute faculty consists of Robert Barto, Elizabeth Kenny, Sylvain Bergeron, Ray Nurse, Travis Carey (who will be teaching a class on lute building!), and Phillip Rukavina.  </p>
<p>This will be my second time participating in the LSA's summer festivals, and I can't wait to be there! There will be lecture classes, masterclasses, private lessons, and daily concerts, and I will have the opportunity to perform in a recital with the other scholarship recipients, too. AND I'll get to help build a lute!<br><br>After doing a lot of research, I've determined that it will be cheapest for me to drive from Dallas to Vancouver; thence, by ferry, to Vancouver Island. I am no stranger to long solo road trips. Although I have driven some pretty incredible distances unaccompanied in the past (Dallas to Chicago in 18ish hours. Never again.), this will be the single longest trip I have ever undertaken, without question. Well travel'd in these Contiguous United States as I may be, this trip will cross off 3 of the remaining 5 states of this Union which I have yet to visit: California, Oregon, and Washington.<br><br>My pilgrimage will take me around 47 driving hours (for contrast, the furthest I have driven in a single go was Dallas&gt;Chicago, and it took me a little over 18 hours in one sitting*). For this trip, I am hoping to split up the drive into 4 days of driving, and I hope to be able to visit with some friends and family along the way. I hope to see my close friend Russ in Denver (you bought Derelict Hands' "Eyes to the Future," right? Yeah, that one) I will also get to meet my nephew Max for the first time in Sacramento!. I hope to also make a detour to San Francisco to meet Mel Wong, the luthier who built my instrument for me. From Sacramento, I will take I-5 north through Portland and finally arrive at the University of Victoria. </p>
<p>There are still a few things that need to be done in order to be ready for the festival; the scholarship covers my festival tuition completely, but I still have to pay the room and board ($730), and I'll be renting a car to make the trip ($250). If you would like to help me get to the festival, I will be accepting donations of any denomination through my YouCaring fundraiser <a contents="here." data-link-label="" data-link-type="url" href="https://www.youcaring.com/jacobjohnson-825972" target="_blank">here.</a> </p>
<p>I am hoping to schedule some fundraising recitals around DFW in the lead up to the festival, and I'd like to try and do a few house concerts along the road to Vancouver. Keep an eye out for updates on the <a contents="YouCaring page" data-link-label="" data-link-type="url" href="https://www.youcaring.com/jacobjohnson-825972" target="_blank">YouCaring page</a>, on this blog, and at my <a contents="facebook page" data-link-label="" data-link-type="url" href="https://www.facebook.com/johnsonguitarstudio/" target="_blank">facebook page</a>!</p></div>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/4627322/dma-late-nights-featuring-jacob-johnson">DMA Late Nights, Featuring Jacob Johnson, Part II.</a>&nbsp;
</h2>

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  <div class="message"><p>I am pleased to announce that I will be performing two MORE concerts of lute music for the <a contents='Dallas Museum of Art "Late Night" program on March 17th' data-link-label="" data-link-type="url" href="https://www.dma.org/programs/event/late-night-performances-galleries-featuring-jacob-johnson" target="_blank">Dallas Museum of Art "Late Night" program on March 17th</a>. The concerts will take place at 9:30 and 11:00pm on Friday the 17th in the European Galleries on Level 2. The 11pm performance may be moved into the Medieval exhibit. The performances are planned in conjunction with the DMA’s “Art and Nature in the Middle Ages” exhibit which closes this month. Admission is free for DMA Members and children 11 and under. Tickets are $15 for general admission, or $10 for students with ID and can be purchased online <a contents="here" data-link-label="" data-link-type="url" href="https://dma.ticketleap.com/march-2017-late-night/dates/Mar-17-2017_at_0500PM" target="_blank">here</a>.<br><br><br><img src="//images.zoogletools.com/u/157266/a7434900b5dd1bce9f66a23aa6b539b44e24f564/original/art-and-nature-in-the-middle-ages.jpg?1483807072" class="size_l justify_center border_" /><br><br><br> </p>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/4541111/dma-late-night-featuring-jacob-johnson">DMA &quot;Late Night&quot; Featuring Jacob Johnson</a>&nbsp;
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  <div class="message"><p><img src="//images.zoogletools.com/u/157266/a7434900b5dd1bce9f66a23aa6b539b44e24f564/original/art-and-nature-in-the-middle-ages.jpg?1483807072" class="size_l justify_center border_" /><br><br>I am pleased to announce that I will be performing two concerts of lute music for the Dallas Museum of Art "Late Night" program on January 20th. The concerts will take place at 9:30 and 11:00pm on Friday the 20th in the European Galleries on Level 2. The performances are planned in conjunction with the DMA’s “Art and Nature in the Middle Ages” exhibit which will run through March. Admission is free for DMA Members and children 11 and under. Tickets are $15 for general admission, or $10 for students with ID. Tickets can be purchased online <a contents="here" data-link-label="" data-link-type="url" href="https://www.dma.org/programs/event/late-night-performances-galleries-featuring-jacob-johnson" target="_blank">here</a>. There will be other musical performances featured throughout the evening in other parts of the Museum, and there will be a screening of the 1985 movie "Ladyhawke" with Matthew Broderick, Rutger Hauer and Michelle Pfeiffer. It's an old favorite of mine but it starts at 10, so be sure to come see me at 9:30 if you're going to the movie! I was a little disappointed that I won't be able to see it, so I watched it the other night :D <br><br><img src="//images.zoogletools.com/u/157266/464cd26a09d508a513200eb6b67d5f11fade6432/original/stained-glass-dma.jpg?1483807638" class="size_l justify_center border_" /><br><br>When I stopped by the museum to do a walk-through, I was given the opportunity to choose between two spaces in which to perform. Unfortunately, in order to have a space large enough for seating I was unable to perform in the Medieval exhibit, but the acoustics of the Museum's galleries are wonderful so I anticipated a difficult decision. So we looked at the European Galleries on the second level. I chose the space I did because there already existed an invocation of Music on the wall.<br><br>The painting stuck with me when I got home, so I looked it up in the Museum's digital collection. If you click the image, you can listen to a 30ish minute talk by SMU's Endowed Chair of Art History, Dr. Amy Freund, about the painting. It's really interesting, and she mentions something I have always firmly believed: <strong>"The arts, music as well, are radical implements for change and civic involvement."</strong> She goes on to say "at this very crazy time period in French history," but I think that part is useless information. The first part of her statement is true at all times, and in all places. <br><br><a contents="" data-link-label="" data-link-type="url" href="https://www.dma.org/audio/giroust-harp-lesson" target="_blank"><img src="//images.zoogletools.com/u/157266/721aef4d10d32faf7ea34e5937ff075f4138caf4/medium/the-harp-lesson-1791-jean-antoine-theodore-giroust.jpg?1483804765" class="size_m justify_center border_" /></a><br>You'll be able to find me in front of "The Harp Lesson" by Jean Antoine Theodore Giroust at 9:30pm and 11pm on January 20th, 2017. Come on out, and have a great time!</p>
<p><a contents="More information on the DMA’s Late Night programs&amp;nbsp;" data-link-label="" data-link-type="url" href="http://www.dma.org/programs/late-nights">More information on the DMA’s Late Night programs</a> </p></div>
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    <p class="post-info"><span data-time="2017-01-07T10:48:19-06:00" title="January 07, 2017 10:48">01/07/2017</span></p>

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